Showing posts with label work. Show all posts
Showing posts with label work. Show all posts

Friday, October 2, 2020

Pandemic postcard #28: Will write for tips

Update: I have taken down my Patreon page as of April 2021. If you'd like to support my work, you can check out more recent posts at Surely Joy's current site, where you'll find a tip jar. Thank you for valuing creativity and the written word.

It's Friday morning, and word has arrived that our First Couple have confirmed cases of coronavirus. Could this year possibly get any weirder? 

It seems like a month ago already, before this latest news and before the raucous debate, but I actually turned down a job this week. After a summer coming up short in my search for work, I was glad to finally have a job offer, especially with the CARES Act federal unemployment assistance long gone and my state unemployment pay ending soon. But something didn't feel right. 

I would have had work for about five weeks this winter, monitoring tests in school classrooms--a job I did a few years ago, too, but that was before COVID. Would the work even happen, with most schools still closed? Then there were the logistical hoops I'd be jumping through to take and keep the job: fingerprinting at a time when it's nearly impossible, weekly COVID tests, heavy-duty PPE requirements. All for a short-term, minimum wage gig with no benefits. 

I finally realized that I'd applied for the job out of fear--of making my rent, of ever working for a wage again. I wound up turning it down out of hope for something better.

Of course, it's a marker of privilege that I can do this. Plenty of people are taking whatever work they can to make ends meet from week to week, despite the threat of a disease that's disproportionately affecting working-class Americans. Many people don't have savings to use in an emergency, never mind during a few lean months. I have savings I can dip into if I need to (and I’ll need to).

Most of all, though, I realized that I want to focus on doing what I do best (and what I'd done my entire adult life until most of my work vanished in March): make a living with words. For seven months, I've been writing these pandemic postcards--essentially a weekly column--to try and make sense of these times, but I have been writing them for free. Not so long ago, before Craigslist and social media decimated local journalism, someone with my background could land a job writing a column or human-interest stories. Those opportunities are rare these days, yet I know I ought to be paid for at least some of my writing. 

That's why--although Surely Joy will remain free (and ad-free)--I've decided to set up a page on Patreon where, for $3 a month, you can let me know my work has value to you. I know this may be a big ask at a time when we are all being asked to contribute to the usual member-supported media outlets plus maintain subscriptions to major journalism organizations that are doing critical work--but if you have $3 a month to spare to support my experiment in crowd-funded punditry, I'll be grateful.

The $3-a-month tier is my "You like me" level. Pledges of this amount can really add up in my small-footprint micro-economy, and I will write at least one patrons-only post each month at Patreon for folks who pledge that amount. (Here's a sample.)

People who pledge $9 a month ("You really like me") will also get access to some behind-the-scenes peeks at my notebooks and work in progress (like this). And because I sense that some of my readers would love to pursue a more joyful, intentional life, I offer the "You want to be like me" tier, which is $27 a month. For that level of support, I will be your personal creativity coach. We'll talk at least once a quarter about how you'd like to live more fearlessly and creatively. I'll encourage and question and inspire you (and you will do the same for me). 

Surely Joy will never be all I do, and that’s OK. I love to interview people and write feature stories; I just finished my first one since March, an article for 3rd Act magazine about how musicians are weathering the pandemic. I like to edit and I have some possibilities in that area. I fervently hope to be working back at the ballpark next year. It’s a seasonal, minimum wage job, too, but I enjoy the fans and the people I work with.

But the writing I do here feels important--to me and, I know, to some of you. We are in historic times, and I am trying my best to make some sense of them while also lifting up my original reason for this blog: the practice of living a simple, beautiful life and of pursuing joy, described by Brother David Steindl-Rast as "the happiness that doesn't depend on what happens." Joy is more essential than ever as we work hard to make real the world we imagine. And today, we might even permit ourselves a bit of schadenfreude while wishing the Trumps a speedy recovery. Or not.    

Thanks for reading this far, and for considering a pledge. It is an honor to write for you. Let's continue to navigate these strange times together.

Mural at Olympic View Elementary School, Seattle


Friday, September 11, 2020

Pandemic postcard #25: The next right thing

It's funny how books and ideas show up at the right time. I've been doing a lot of camping this summer, mainly because it's the one kind of travel that feels low-risk during the pandemic--until this week of hellfire, that is--and also because it is cheap and it gives me lots of distraction-free time to read. For a recent trip out to the Olympic Peninsula, I brought along Plan B, one of Anne Lamott's collections of essays about faith that had been on my bookshelf a long time. I thought I remembered picking it out of a Little Free Library, but a receipt buried in its pages revealed that I actually bought it at National Airport in Washington, DC, on March 19, 2008, when I would've been on my way home from a national bloggers' conference. 

A dozen years doesn't seem so long in the course of a lifetime, but at this point, 2008 feels like many lifetimes ago. By 2008, I had been heavily involved in politics for much of that decade, thus the invitation for the all-expenses-paid weekend of training for progressive bloggers. I gladly took the trip, but I was actually trying to back away from politics at that time, turning my attention toward a three-quarter-time contract job with a favorite client that had hired me to extend the then-still-new tools of blogging and social media to communities doing important small-d democracy work. It felt like I was living a calling. I was as happy as I have ever been in my professional life.
 
Yet within a few months, I'd pivoted back into politics. An opportunity had arisen with my state Democratic Party for a job I'd sought a few years earlier. We were on the cusp of electing the first Black president and maybe Idaho's first Democratic member of Congress in many years, too. It felt like the right decision at the right time. Although the job turned out to be heartbreaking on many levels, I don't regret taking it. I did some good work and I was able to share the historic 2009 inaugural with my daughter and some dear friends. Still, I wonder what might have happened had I stayed on the contract gig with my all-time favorite client.

Fast-forward to 2020. Once it became clear that most of my pre-pandemic freelance work was gone, I began looking for a full-time job, focusing on things that could feel like career capstones, or at least really good fits for me. By late July, I was demoralized: I'd come close on a few opportunities, but rejection is hard, and I was ready to give it a rest. Then I saw one more possibility--from my long-ago favorite client, for a lightly advertised job that seemed as if it had been written with me in mind. I applied and immediately got an interview. I was sure it was meant to be.

But after a few weeks passed with no news, I learned that the job had gone to a Black man, a talented young writer. And honestly, that is how it should be. The organization's central focus is on helping communities face up to racism--something which, although I have a heart for the work, I have no lived experience. (Of course, I know that better in 2020 than I ever have before.) I was crushed, but I understand that things usually happen--or don't--for a reason. I was ready to move to New England for this job, for one thing, and maybe that simply wasn't supposed to happen because I love the Northwest and my family is on this side of the country. 

Now it's September, and I've given up trying to find full-time work, at least for the time being. Too many people are looking, and I am older than most of them. But I am too young to retire, so I have to find ways to make ends meet--likely some combination of freelance and seasonal work, which is what I've done much of my working life, anyway. 

This brings me back to Lamott's book. As best I can tell, I read part of it on my cross-country flight, then forgot about it for 12 years. Still, it had survived many moves and lots of serious book-winnowing missions, so I was keeping it for a reason. Plan B finally found its way into my tote bag last month and I read most of it in one afternoon while camped near the Strait of San Juan de Fuca.
 
Early in the book, Lamott explains how, two years after her mother had died, she still hadn't scattered her ashes because she was mad at her mom and keeping her remains stashed in the closet seemed like fitting punishment. She was also deep in grief about the turn our country had taken since September 11, 2001, especially the unfounded decision to make war on Iraq. Then one Sunday, Lamott's pastor preached about how, in a time of war,  

... now was not the time to figure everything out--for instance who was to blame. It was not the time to get a new plan together and try to push it through. It was the time to be still, to center ourselves, to trust what we'd always trusted in ... 

Lamott writes how, taking these words to heart, she was able to quiet herself and her harsh, scary, "thinky thoughts." She took long walks. She sat in prayer and meditation. Then she found a photo of her mom that she hadn't seen for a while, and she just knew: It was time, and "scattering her ashes was the next right thing."

Those four words. "The next right thing." It feels impossible in this moment to know what awaits us with the election and its aftermath, or when COVID-19 will be over, or the trajectory that climate havoc will take. Long-term plans feel impossible; there are too many x-factors. But as individuals, we can know the next right thing, whether it's something small, like working to get out the vote or checking in on a loved one, or embarking on some really big change we've truly thought through a while. Intuition is not impulse.

As I finished this post, I read a new piece in The Atlantic that blames America's poor pandemic response on failures of intuition, comparing our situation to that of ants following one another into a death spiral. I want to make clear that when I talk about the power of intuition, I'm talking about how we can use it on a personal level--not as a guide for public policy, where science and reason must prevail. But in our own lives, I know we can be guided by intuition--on following that invisible thread, those few feet of headlights you need to make your way home, even when you can't see where you're going. (Thank you, William E. Stafford and E.L. Doctorow.) 

In some ways, this has been the hardest week of the pandemic for me. The news of the world is unrelenting, and mostly grim. Smoke-choked air means I can't even enjoy a long daily walk, which has been the one constant in my life since March. Of course, that is a small inconvenience compared to the loss of life and homes up and down the West Coast. My heart goes out to the people working on the fire lines and in the fields. May they be safe. 

Let the rains come soon, and justice, too. Meanwhile, I will try to remember that rest is fuel--and sometimes it is definitely the next right thing.

P.S. To those of you who get Surely Joy via email (thank you!): Please check out the web version of this post--click on the headline--for Loosen Loosen Baby by Aly Halpert, a musical meditation that has been pure soul balm for me since I first heard it at church earlier this year. I like to sing along. I've also included a beautiful video from Leon Bridges that was featured at our congregation's vespers service just a few nights ago.
 

Friday, August 14, 2020

Pandemic postcard #21: Summer reading report

All my life, I have dreamed of having endless time to read, and I've always figured I'd need to wait until retirement for that dream to come true. Then 2020 happened. I have had plenty of time to get lost in a book these past many months. 

Here's a selection of books I've enjoyed so far during the pandemic. All are available via The Optimist, my online independent bookstore at Bookshop.org, and if you enjoy Surely Joy, it'd mean a lot to me if you'd buy a book, any book. Your purchase will help me...and small bricks-and-mortar bookstores, too. As I write this, Bookshop.org says it has raised nearly $6 million for indie bookshops. I'm still working on my first $25. Still, every little bit helps, especially now that the CARES Act unemployment pay is gone.

So without further begging or ado ... 

How to Do Nothing: Resisting the Attention Economy by Jenny Odell. This book captivated me from its first pages, where Odell describes one of her favorite parks in Oakland. (I know it, too.) Odell's mission is to help us pay attention, not to the endless clatter of commerce, but to our heart and soul's delight. This is my favorite book of the year so far. 

The Art of the Wasted Day by Patricia Hampl is part memoir, part travelogue, part meditation on loss. We can't justify distant travel this summer, but we can travel via books. Hampl ranges widely in this volume, from Iron Curtain-era Eastern Europe to Montaigne's France, but I was most captivated by the trip she took closest to home on the upper stretches of the Mississippi River. Like Odell, Hampl understands the inherent value of day-dreaming and drift.

The Vanishing Half  by Brit Bennett. "I've been reading too much non-fiction this summer," I told my daughter. "I really want to read a novel." So this was a birthday gift from her to me, fitting because this is also a story about family love: in our families of origin, families of choice, and families lost and found. It's also timely with its themes of racial and gender identity.

The Hummingbird's Daughter by Luis Alberto Urrea. This had been on my to-read list a long time, and it was the very first book I was able to check out of my local library once it reopened for curbside service last month. Urrea, who spent a few decades researching this satisfying historical novel, has a knack for creating big, well-drawn casts of characters. I look forward to reading the sequel to this, too, as well as The Devil's Highway, Urrea's nonfiction book about U.S.-Mexican border culture. The latter should be a good companion to something else I read earlier this summer, On the Plain of Snakes, a warts-and-all love letter to Mexico by Paul Theroux.

Old in Art School by Nell Irvin Painter. The author is best-known as an acclaimed historian (The History of White People), but she always wanted to paint, so she chased that dream into her 60s while also looking after her elderly parents, who lived 3,000 miles away. An inspiring, illuminating look at one woman disregarding ageism and racism.

The Cactus League by Emily Nemens. One of two fine baseball novels released this year, both written by women. Nemens turns an unassisted triple play with her debut, deftly wrangling multiple plot lines, indelible characters, and strong sense of place. I also enjoyed The Resisters, an anti-authoritarian tale by Gish Jen.

Becoming Wise: An Inquiry Into the Art & Mystery of Living by Krista Tippett. The On Being Project created a new position this summer, Audience Editor. I wanted it so bad, but I'm sure they've hired someone brilliant to help amplify the project's mix of thoughtful voices and practical wisdom for tumultuous times. I've been an On Being fan forever, listened to this on CD when it came out a while back, and recently revisited it via a copy in a Little Free Library.

Keep Going: 10 Ways to Stay Creative in Good Times and Bad by Austin Kleon. I bought this when it came out last year, then it sat on my shelf until May. It was time...and it still is.

When Things Fall Apart: Heart Advice for Difficult Times by Pema Chodron. Another book that merits re-reading, with short chapters that share Buddhist wisdom on how to sit with uncertainty. 

Atlas Obscura Explorer's Journal. I used this for what turned out to be Volume One of my Pandemic Journal. (I started Volume Three last week.) It's too big to use as a travel journal, but it was perfect for documenting the weird inner journey that is 2020.

Next up on my reading list ...

I've been dipping in and out of The Warmth of Other Suns: The Epic Story of America's Great Migration for the past month. I'll finish it this weekend, and I look forward to author Isabel Wilkerson's brand-new book, Caste: The Origins of Our Discontents.

Next up is my library book of On Earth We're Briefly Gorgeous by Ocean Vuong, another novel I've been meaning to read for a while.

I also just ordered a copy of Jailed for Freedom: A First-Person Account of the Militant Fight for Women's Rights. This little-known book by Doris Stevens is the source material for Suffragist, a new Broadway musical that was to premiere in league with this summer's centennial of the 19th Amendment. The production is delayed now, but just hearing creator Shaina Taub describe her discovery of this book was enough to make me want to read it.

Friday, July 17, 2020

Pandemic postcard #18: Beacons in the dark

Have you been able to see Comet NEOWISE? It is visible in the Northern Hemisphere for a while longer, rising in the evening sky and coming closest to Earth on July 23. I haven't seen it yet; I was up before dawn trying to catch a glimpse last weekend, when it was close to the horizon, but city lights and hills precluded a view. (A rising Venus was amazing, though!)

I'll never forget seeing Comet Hale-Bopp in the spring of 1997 on a drive home from Salt Lake City to Twin Falls, Idaho. Motoring north through dark high desert skies on Interstate 15, then Interstate 84, I had the comet in my view for several hours, nearly the whole way home. That evening ranks with the 2017 total solar eclipse as one of the great natural phenomena I've experienced. How fitting is it that Comet NEOWISE seemingly came out of nowhere in late March, becoming visible to NASA scientists during the first pandemic surge? We need all the bright lights we can find in these dark times, and I hope to see this new comet sometime next week.

As I mentioned in last week's post, I've been "at camp" this week. It's all been online, of course, but it has been wonderful to reconnect with my Eliot friends, even over Zoom. We've been hearing timeless tales of many cultures from talented storyteller Will Hornyak. We've had a talent show, games, (including a fun offline scavenger hunt), TED Talks, worship services, small-group discussions, and much more. I will be sad to see it end. I may even sign up for the August camp, which I've never attended--but I continue to have lots of time on my hands. (More on that below.)

Camp meant a lot of screen time, but I've managed to spend this entire week away from social media, and I took in only a bit of news each day. I'll be sad to see that end, too, but as Will related in one of his programs, a vision quest can't go on forever. Ultimately, people need to return to their daily lives. Of course, this is something we're all wrestling with now. As people go back to their routines of in-person socializing, many people are getting sick and sickening others. It's an unsteady dance we're doing, and it seems we'll be doing it for another year or so, until a widespread vaccine is available. I know this is especially hard on families, as well as on people experiencing homelessness and people with little social contact of any kind.

Will told a story this week about two villages. (You can watch an earlier performance of it below.)  A natural disaster had brought the villages to the brink of war, but with imagination and creativity--and some wise grandmothers--the villagers solved their problem without bloodshed. As Will says, we need new steps, new dances, new songs, and new stories in times like these. Stories can break the spells we weave around ourselves, the narratives that sometimes keep us feeling like change is impossible.

With the end of July nigh, I am among the millions of Americans who face the end of enhanced unemployment benefits next week. Although I've freelanced much of my life, I'd love to find a full-time job that I can dig in and do until it's time to retire. I applied for one in late May that would've been perfect for me, finally learning just this week that although my resume made it through several "cuts," I will not be a finalist. I know it is no easy task to find work in one's late 50s, but I still believe something good will emerge in due time. I'll keep looking for the beacons in the dark, and I will try to be one, too. My superpower is helping people tell their stories, after all, and there's a big need for that these days.

Thanks for reading. I'm going to spend some more time away from screens next week--to go camping, look for the comet, and hopefully see my daughter (who lives 500 miles away) for the first time in 2020. I'll be back with another dispatch in two weeks. Until then, be well...and be the light.

 

Friday, June 12, 2020

Pandemic postcard #13: Anti-racism as a practice

There is no anti-racist certification class. It's a set of socioeconomic traps and cultural values that are fired up every time we interact with the world. It is a thing you have to keep scooping out of the boat of your life to keep from drowning in it.  -- Scott Woods

It's been another monumental week in America as we wrestle with our trio of pandemics: COVID-19, the recession, and our collective awakening over racism. So many of us now feel the urgency of taking a hard look at the complacency and privilege we have enjoyed for so long. Until two weeks ago, I sometimes thought my anti-racist studies were done, that I had graduated and gotten that certification of allyship. Now, I finally understand that anti-racism is a lifelong practice I must undertake together with every other white person.

We will now--hopefully--be giving this issue its due for some time to come. So just as we can't revert to lax hygiene routines, we must now figure out how to make anti-racism a daily practice. I want to define and pursue that practice for myself. You should, too. No one else can do it for you.

For some people, anti-racism will mean being a physical presence in the streets, calling the structures of power and abuse to account. For others, there will be a more inward journey of reading, writing, reflection, and learning. For many of us, it will mean increasing our support of black-owned businesses and black artists. Perhaps the key thing I've learned this past week is that addressing white supremacy must be an embodied journey--one we inhabit not only in our heads, but in our hearts and in our souls, for privilege and racial harm are deeply lodged in our DNA. (Thanks to the conversation between Resmaa Menakem and Krista Tippett from last week's "On Being" for this knowledge.)

Last Friday night, there was a Black Lives Matter protest at a large park near me in Seattle. I didn't attend, but I wound up there on my early morning walk the next day, as I do on many days. The names of people of color who'd been killed by police were chalked every few feet around the half-mile path around the park. I said their names aloud as I circled the loop in a kind of walking meditation. It felt like a start in what I need to do. Writing this post is another step.

Although I've been reading rafts of essays about racism and privilege and white supremacy over the past fortnight, few statements boil the issue down as well as the passage from Scott Woods that I quote at the top of this post. (You can read the whole 2014 essay it comes from here.) If you're viewing this blog on a desktop, you can scroll down to see a 3-D collage I made in 2016 at the end of a year in Wellspring, a program of deep spiritual reflection I've done twice through my church. It's centered on "a palette of practice" that features the tools and values I try to use regularly in my life. The collage hangs on the wall over my desk, so I see it every day. I took my Sharpie this week and added the words "Bail out your boat."

God of our Being, Spirit of Light and Life, help me see and address my privilege every day. Help all my white brothers and sisters begin to reckon with this reality, one step at a time. After 400 years, we may finally be getting a chance to set things right. Let's not turn away now.

Friday, May 8, 2020

Pandemic postcard #8: Freedom from choice

One thing that defines Americans is we love choices. The COVID-19 pandemic is testing that characteristic, and the test is playing out in mundane and profound ways in which we attempt to have it as many ways as we can, because that's who we are.

One obvious example: I dislike wearing a mask because, yes, I'm an American who chafes at being told what to do and because even a snug-fitting one fogs up my glasses. So I compromise. I wear a neck scarf on early morning walks through deserted streets where I rarely get close to anyone; that way, I have a face covering handy if I need it. And when I go to any enclosed public place or walk on a crowded sidewalk, of course I wear a mask. I do it as an act of solidarity as well as one of protection. My mask protects you; your mask protects me. It seems like it's going to be that way for a while, so we may as well get used to it.

Although freedom of choice and an abundance of options are the American way, the pandemic is giving us time to practice having fewer choices or even no choice--a theme explored in this week's episode of the Hidden Brain podcast. Psychologist Sheena Iyengar describes cultural differences in how people perceive choice. One study she did involved parents of children born with a rare brain disease. In France, doctors routinely remove such babies from life support, sparing parents the decision. In the United States, parents are asked to choose. Most American parents do opt to let their babies die rather than let them linger without brain function, but--unlike the French parents--they remain wracked with guilt and more "what-if's."

Certainly, many families are now experiencing the agony of seeing loved ones suffer in isolation. Many have to decide whether to let a beloved person go, often with no goodbyes. (For the record, I've had an awesome life and I have no interest in going on a ventilator or any other extreme means of keeping myself alive.)

Many choices are far less stark, but they can still feel fraught. Most of my freelance editorial work is gone, so naturally I am inclined to fret about what I will do once the special COVID-19 unemployment pay runs out in late July. But the fact is I may not have a whole lot of choice as an older adult in a compressed job market, and---blessed with some savings, no debt, and a simple lifestyle--I feel myself finding some peace with that.

There's freedom in not being defined nor limited by past choices, and perhaps in surrendering to fate and the freedom of not having so many options. What new ways will emerge to make ourselves useful?

P.S. You've likely seen this bedtime story-from-the-future video by now, but if not, enjoy. Also, if you need help getting back to sleep some night, here's a link to the lovely "spiritual book club" installment of On Being, in which Krista Tippett and Devendra Banhart share their mutual love of When Things Fall Apart by Pema Chödrön.

Friday, April 24, 2020

Pandemic postcard #6: Thank you, world

... and the sun is my alarm, and the moon, she makes me dream ...

Hello again, happy 50th anniversary of Earth Day, and happy 30th anniversary of one of my all-time favorite albums, Goodbye Jumbo by World Party. As I grabbed the code to post the video of "Thank You World" below, I saw that the album was released on April 24, 1990. Serendipity ... and dig how songwriter Karl Wallinger sings his hymn of thankful praise to the Earth while seemingly sheltered in place, but dreaming big indeed.

On Earth Day morning, I headed out early to beat the rain. I have some standard walking routes within a two-mile radius of my home: one that takes me to Maple Leaf Park, another that threads through the Pinehurst neighborhood, but I am prone to wandering, especially now. That's how I wound up across the street from a house I had never seen before, with a brightly whimsical sun shining over shingles of inlaid clouds, birds, and fish. When I got home, I looked it up and found this article about the last time it was for sale, plus a better screen capture from Google Maps.

Discovering this house was delightful enough, and the rest of my Earth Day walk was chockablock with Seattle's riotously wild spring pageantry. For every semi-manicured yard, there are countless examples of barely tamed urban landscapes, with flowers spilling out of street-side rock walls and Seussian cypress trees shamelessly flirting with Douglas firs. The Emerald City is absolutely crazy with color and boisterous with birdsong right now, and it's all the better because there is almost no vehicular traffic.

Once the pandemic subsides, I hope the cars mostly stay parked like they are now. I want people to be well and I want children to get back to school, but perhaps people who can work from home will continue to do so, at least some of the time, and people will find ways to get around that don't involve burning up our beautiful spaceship home. These are challenging times, no doubt, but they are making us all more creative in everything we do.

Until next Friday, be well and enjoy your neighborhood, wherever you are.


 

Friday, April 3, 2020

Pandemic postcard #3: Reality sets in

Hello again. How are you this first Friday of April? Wasn't it interesting that April Fool's pranks seemed in short supply this year? We definitely need moments of levity, but foolishness seems out of order in these very weighty times.

For me, this was the week when the reality of the pandemic--and its accompanying economic crisis--really hit home. As I write this, the world COVID-19 case total has passed one million and people are dying at an alarming rate. I was especially sad to learn we have lost songwriter Adam Schlesinger, whose smart work with Fountains of Wayne and snappy title tune for That Thing You Do! have brought me lots of joy over the years. If I need a smile, as I did when I got this news, I need only watch this scene of a band hearing its song on the radio for the first time. Talk about joy. Thank you, Adam. (And please hang in there, John Prine.)

I mentioned last week that a longtime magazine client of mine had abruptly shut down. This week, I confirmed the not-unexpected news that my top editorial client--another travel company--has no work for me for the foreseeable future. I haven't yet joined the official jobless roll; my state's jobless benefits site says it hopes to have information on how self-employed people can apply by mid-April. Meanwhile, I plan to start volunteering at my local food bank next week. They really need help and I have too much time on my hands. They are having people work six feet apart, and you can only volunteer one week at a time to limit any possible exposure to COVID-19. It feels a little risky, but I am healthy and it is a way I can be useful.

Meanwhile, I have also opened an online bookstore through Bookshop.org, a new venture that just launched in January, primarily as a way for small independent bricks-and-mortar bookstores to have a website, but also for authors and other lit lovers to buy and sell books. I have named my shop The Optimist, and its featured selections are books that I have personally enjoyed over the years--"timeless books and books for these times,"as I put it. I'm also featuring some of my photography on its pages. So if you are looking for a good read, please have a look. Your purchase will help me weather these tough times and it will benefit indie bookstores across the U.S., too.

Here are a few other things that got me through this week:

Long walks, as always. I average four miles a day.

Plenty of sleep

Lots of time to read (and spending a little less of it on the news and social media)

Mariners classics baseball, often accompanied by a solo game of Bananagrams

A concert-from-home by Josh Ritter

Online church each Sunday

Watching the classic movie Groundhog Day (An aside: It's only been a month or so, but I miss movies in the theater.)

I mentioned above that reality hit home this week, but here's something else we all know: As bad as this pandemic is right now, we will get through it. Stay safe, be well, and be kind. See you next Friday.

Another kind of food pantry. Pinehurst, Seattle, March 2020

Friday, March 27, 2020

Pandemic postcard #2: All in this together

Hello again, and how has your week been? I am going to write here every Friday, as I am able.

After I posted last Friday, I took a 36-hour sabbath from news and social media. It was good for my soul, and I highly recommend it. Originally, I was going to stay offline from sunset Friday through Saturday evening, but I wound up staying away through Sunday morning, when I finally logged back onto the Internet to attend church online. We need rhythms and patterns in life; we're all coming up with new ones these days, aren't we?

Another pattern for me: I have been confining my essential errands to one day a week. I've chosen Thursday, mainly because it's the day when the landscape crew arrives at my apartment complex, high-decibel power tools blazing to wrangle our lawn, trees, and hedges into submission. There's no sense trying to read, write, or think during this time, so I take that as my cue to do the necessary business of reinforcing my grocery supply--and I went to a laundromat, too, figuring it would be cleaner and safer than the unattended laundry room I share with several dozen other apartments.

After the laundry, I drove to my old neighborhood grocery store, a sprawling Fred Meyer. I usually use the self-checkout at this store, but yesterday I stocked up, buying another full two weeks' worth of food and three months' worth of craft beer. (These days, that's two six-packs for me. Everything in moderation, including one IPA a week.)  I also wanted to thank the people who are keeping the store open, so I chose an attended line. The shopper in front of me had a mask on. The cashier had gloves.

When it was my turn, the cashier and I exchanged some mild pleasantries as he started ringing up my stuff. I'd heard it was no longer OK to bring my own bags. He said it's allowable, but I'd need to bag my own groceries. Good to know, that makes sense, I said--but I was glad to have him do the bagging of this big-for-me order. I thanked him for working on the front lines. He said he was glad to do it and that he even had a permission slip in case he got stopped on his way to work--but that was unlikely, since he lives around the corner. I used to live just down the block in this neighborhood, too, I said.

No one else was waiting in line, so we chatted even as he finished my order and I paid. He mentioned that his girlfriend is working from home these days, but that she might get a job in Olympia, our state capital, at some point. Well, there are Fred Meyers down there, I said. "But by then, I hope to be a teacher," he told me. What did he want to teach? English. Oh, I said, "I just got back from Mexico. I was down there learning how to teach English as a foreign language." And so on. I'm a writer, I said. He said he is a writer, too, "even if I've never published anything except in my school magazine." Well, that counts, I told him. He thanked me for coming in. "You're welcome and thanks again," I said.

It's a wrenching time for our world, and yet we are actively choosing to connect in ways big and small, mostly via phone and text and Zoom and email and social media, but sometimes in person. I understand why people are ordering grocery and food delivery, having their shipments left on the front porch so there's no contact. But I'll go out for groceries once a week as long as I can. We are all in this together--a cliche, but it's especially true now, when we need to be apart.

I also learned this week that my most longstanding magazine client, a publisher I've written for since the 1990s, is folding. They were my second-biggest source of income last year, so it will hurt. But this news came the same day that the Senate advanced the humongous fiscal package that finally gives self-employed people some unemployment protection. I continue to believe, as the Rev. Theodore Parker once said (and Dr. King echoed) that the arc of the moral universe is long, but it bends toward justice. Still, my heart aches for my editor at the magazine.

There's plenty of pain to go around right now. I am grateful I remain healthy and that no one in my inner circle has fallen seriously ill. I am grateful for the conversations I have had this past week with my beloveds. I am grateful I can get out and walk every day. And I am grateful for you, reader. See you next Friday.

P.S. I think we need a song called "Handshake Anxiety" right about now, yes? I am proud to say my daughter is the artist. She recorded this before COVID-19 became a thing. The whole album, released a month ago, is worth a listen. Be well.
 

Saturday, February 29, 2020

Small steps and giant leaps

Here it is again, that only-every-four-years opportunity to do something extraordinary. I’ve always tried to make February 29 special. Four years ago, it marked the first day of my renewed freelance career after I’d spent a few years drawing a regular paycheck, and also the day I interviewed for and was offered a job as a Major League Baseball guest services staff member.

Today, though, I am exhausted. It’s the last day of my five-week sabbatical in Guadalajara, Mexico. I slept badly last night, a mosquito tormenting me despite the repellent I’d splashed behind my ears. I had to drag myself to teach an 8:30 English class for six teenagers. (I graduated from my Teaching English as a Foreign Language course yesterday, but I’d requested a chance to teach young learners and my school obliged with a late-breaking assignment, so off I went.)

It’s still only noon and it’s my last day in Mexico. I’ve had a small nap and I ought to do something fun! I still haven’t been to Tlaquepaque, the charming smaller city near here. That was my plan for today. But I’m simply too tired to do anything but hang out in my apartment, pack my stuff, maybe read and watch Netflix a bit. Besides, it’s hot outside—I am so ready to get back to cool, green Seattle—so why shouldn’t I spend most of my last day here holed up in my apartment, a fan whirring at my side? The fact is I have worked really hard these past five weeks, as hard as I have ever worked in my life (which is saying something) and I think I will visit Jalisco again someday. So if I’m suffering a momentary lack of ambition ... so be it.

Our lives can go awry when we never get off the couch. They can also go sideways when we do nothing but go-go-go. Pacing is everything, right? For years now, I have been trying to find my way toward doing less and being more. I am proud of what I have accomplished over the past month, and I know I will be busy again sooner than I’d like. For now, I just want to sit.

Thursday, February 6, 2020

I am a teacher!

One of the things I love about travel is how it helps me be creative and solve problems as they arise. Sometimes, I’ve had to decode a mysterious European lock or appliance, or find well-hidden light switches. Once, I had to use an impromptu game of charades to locate a late-night pharmacy. 

In my 12 days (so far) in Guadalajara, I’ve had many moments of thinking I’ve finally gotten in over my head. I am in a big, intense, unfamiliar city (Mexico’s second largest). Last week, I joined a beginner immersive Spanish class a week after it had started, and it was muy stressful, especially since I had a cold and wasn’t sleeping well. This week, I have begun a four-week course in Teaching English as a Foreign Language, and I am by far the oldest person in my class. (There was one other “mature” student in our cohort, but he bailed out today, on Day 3.) Amazingly, you teach your first class on the third day. That was today. 

For my first class, I had to help the students review future passive tense, which I rarely use myself. I had to look it up to remember what it means. To top it off, I had to do lesson plans today for my first two classes since the second is at 8 a.m. tomorrow.

It’s been an anxious week. But now I feel like, OK, I’ve got this. 

Mr. Ruiz, a really popular and good teacher, observed my first class, the one on future perfect, for an intermediate-level class of young adults. The theme was outer space, and over the course of the class, the students needed to decide who among them would be sent back to Earth. I’d written a lesson plan for a class of seven students, but when I arrived,  there were only five, so I had to adapt on the fly—and I did. 

In the first part of the class, I had the students talk about the positives and negatives of being an astronaut. Risk was one factor they cited, and I was able to tell them the sad story of the Challenger—as well as introduce the word “quarantine,” an experience the early astronauts had upon their return to Earth, and a concept in the news again now with the coronavirus. 

Next, I had the students talk in two groups to justify their jobs. As they talked, I had an idea to hold a secret ballot among the whole group, since it was so small. All five voted to jettison the psychologist rather than the engineer or the captain— so I got to teach the word unanimous! It was interesting to see how the class became a blend of activities I’d planned and spontaneous actions. 

At my review session, Mr. Ruiz asked how I’d rate myself and I said about a 6. “Why so low?” he asked. I mainly felt like I had plenty of room to improve. So I was a little surprised but very happy when he gave me a score of 9 out of 10! He was very complimentary of my classroom management, board use, demeanor, my low TTT (teacher talk time)—even my handwriting! One of my students, Cynthia, said it was a great class, which Mr. Ruiz said is the best compliment you can get. 

Mr. Ruiz noted that my future scores will go up and down since some classes are harder than others. His main piece of advice was that I could rely on students in a higher-level class to explain even more—to paraphrase instructions instead of simply reading them, for example. 

So my first class is behind me—and by lunchtime tomorrow, I will have taught another, and then about a dozen more over the next three weeks. I have no idea what I might do with my TEFL credential, or where I will wind up using it. But even with just one day of teaching behind me, I feel newly confident that this was a good idea. I will do something good with this new skill, something to help people achieve their goals—and something to give my own life new purpose and meaning. 


Friday, December 13, 2019

Hindsight is 20/20

As this year winds down, we're also wrapping up a decade. I'm seeing lots of lists recounting the best music, movies, and more of the past 10 years. Right now, I feel most compelled to reflect on the best decisions I made over the 20-tens. I think these are the main ones for me, and I'd be interested to hear yours.

I decided to live debt-free. During the first iteration of my freelance career, I had a big fat line of credit and I used it, amassing debt to write travel guidebooks and magazine articles for publishers who rarely paid expenses. I figured that unreimbursed expenses and interest were all deductible. But paying off the steep interest meant I couldn't save as much as I'd have liked toward my daughter's college fund nor for my then-far-off retirement.

Ten years ago this month, I made my last payment on my business credit card and closed it for good. Since then, I've continued to use credit to earn travel points, but I pay off my balances every month. After owning two homes and settling two estates, I've decided I prefer being a renter. Property is a good investment for many people--but it ties you down; it's not my American dream. I like the freedom and flexibility of letting someone else make and manage that investment. 

I followed my heart. This meant leaving Idaho (and family and friends) for the chance to live among people able to elect leaders who could advance the values I hold deeply--of prizing human diversity, of living more sustainably, of practicing generosity on a civic as well as a personal level. Our country's future is murky, but I feel blessed that I live in the city, state, and region that I do. I also feel great affection for the places and people I left behind; I know people have many reasons for staying where they do.

Following my heart also meant leaving a long and good-enough marriage for a new relationship that showed me a new level of what love could be--both the highs of finding a true companion and the lows of illness and death. It was a painful journey in many ways, yet I am grateful to both men for the love and understanding they gave me and thankful that I was able to be part of their lives.

I distanced myself from politics. Anguished by an unnecessary war in Iraq and inspired by examples of civic imagination, I spent most of the first dozen years of this century enmeshed in politics, trying my best to help candidates and causes from Howard Dean to strong public schools to a sustainable climate. It was time well spent, but I ultimately felt I needed to return to the objective stance I'd learned as a young adult--to my roots as a journalist.

It's funny: I was drawn into journalism by one impeachment--a national crisis that saw a president resign before he could be fired. Now, with another impeachment unfolding, I feel intensely lucky that I've found ways to make a living as a writer and editor that don't require me to cover politics. As I outlined in this essay last year, I pay attention to the news, but as a matter of self-preservation, I'm no longer obsessed by it. I'm inspired by people who act with integrity, saddened that facts are considered malleable, and certain we will get the government we deserve in these distracted, disrupted times. But I know that individually, we don't have to be defined by that government.

Hindsight is 20/20, and the three decisions above are ones that I see giving shape to other decisions I'll be making over the next 10 years--as much as any of us can really decide anything anymore in a future that seems to be spiraling out of control.

I don't want to look away; I want to stay on top of what's going on. I want to see the good as well as the bad and the uncertain. I want to keep bearing witness to the idea that our small daily decisions for joy and kindness and responsibility to and love for others and ourselves may somehow add up to ... something.

Saturday, July 27, 2019

Belonging

One of the things I like best about my part-time job at the ballpark comes into full flower now in midsummer, when I get to talk with people visiting us from all over the world. Many are in Seattle at the start or the end of a cruise to Alaska. Others are here to escape their hot weather back home. That's a roll of the dice--it can be warm and sunny here one day, as it was yesterday, or rainy and coolish, but there's always something to do on those days, too.

Earlier this year, I felt like running away--from the long, dark Seattle winter, and from a house that never really felt like home after Tom was gone, because Tom was my home. I soon realized that I needed to stay in Seattle to tie up loose ends here, anyway, and it would take most of this year--so I signed a short lease for the place I'm living now, nearly certain I would move on this fall. But now I'm nearly certain that I won't.

For one thing, I have moved five times since 2012, and I'd just like to stay put for a while. I like my apartment a lot, and I may well have to move again in a few years as urban renewal proceeds all around the low-slung 1950s courtyard complex I currently call home.

Mostly, though, it's the trees and the sea telling me to stay put. In June, I drove to a special place on Hood Canal, Harmony Hill, where Tom and I attended a stem cell transplant survivors' weekend just two months before he died. As I walked the labyrinth around an amazing old tree, I heard myself or someone or something tell me, "There's a reason you're here."

I heard the same thing last week while at family camp on Seabeck Bay, as I took communion with the herons and seals and my human beloveds--and again yesterday, my birthday, as I treated myself to an afternoon spent looking for (and finding) more seals, orcas, eagles, and other neighbors from the wild world. The truth is, I was just happy to be out on the Salish Sea on a glorious summer day; the animals were a bonus.  And today, it is raining, which I've come to feel is just fine, too, especially if it keeps our forests dry after two summers aflame.

This post is, yet again, about allowing myself to change my mind and about being a work in progress, even well into my sixth decade of life. It's partly about connecting to a place I didn't necessarily choose when I first moved here to be closer to Tom, but a place that apparently has chosen me.

There's a reason I'm here. Maybe it's to be an unofficial ambassador to the people I meet at the ballpark, or in line as we wait for our boat trip. Maybe it's to help new neighbors learn English--something I plan to do as a volunteer once I earn my TEFL credential next winter. Maybe it's even to take a full-time job at the company for which I've been freelancing for a couple of years, or at the university or the library. Maybe it's something I've yet to discover. More will be revealed, I'm quite sure.





PS You can read more of my writing about Seattle and nearby here. And if you're an editor looking for a feature story or essay about the Pacific Northwest, it's your lucky day because I'm your huckleberry.

Friday, April 5, 2019

Feet first

Giving walkers safe passage in Shoreline, WA
No, I didn't plan to walk six miles round trip to the movie theater yesterday. My intention was to walk there and take the bus back, but I stayed for all the credits and used the restroom afterward--and there was the bus I meant to catch, pulling away across the street just as I walked out the door. 

No worries. Having missed the bus, I decided to walk back a different way from the one I'd come--and on the way, I got to visit two new-to-me city parks and found and photographed some cool public art. (If you love street art, you might want to follow me on Instagram.) It was sunny and about 62 degrees. What could be better?

I'm currently researching a magazine article about people who are driving less to save money. There are so many options to forgo or supplement car ownership these days: transit, car sharing, ride hailing, bike sharing--and my very favorite (and the cheapest option), our own two feet.

After past experience in car-free living, I do have a car these days (thanks, Tom), but I go days without driving it. As a writer and editor, I mostly work from home, of course. I use my feet and the company-provided transit pass (thanks, Mariners) to get to my part-time job. I plan my ballpark commute and many of my errands around the five miles or so I try to walk every day, but the best walks of all can be aimless ones where I set off with only a vague idea of where I am going.

Plenty of factors keep people from walking as much as they'd like, but spring is a wonderful time to walk as much as you can, whether that's around the block or for many miles. The weather is wonderful and new life is blossoming everywhere you look. And yes indeed, I spent several hours of an ostensible workday going to a movie (the gorgeous Cold War) and walking there and back, but here's the thing about walking: If your work--or any part of your life--involves thinking, you can actually get a lot done on a walk. As I meandered, I mentally outlined the article I mentioned above, and I thought about contacts who can potentially help me find sources for several other projects. But mostly, I enjoyed the fresh air and the sunshine and the fact I wasn't stuck in a metal box on a glorious spring day. 

Walking is good!

Thursday, November 22, 2018

Mind the gaps

My sweetheart Tom used to tell a story about a near-death experience he had shortly after his diagnosis with multiple myeloma. To paraphrase: He was on his way to an oncology appointment, driving on Interstate 5 near downtown Seattle, when his windshield shattered. He still made it to his appointment; he was a get-it-done guy. But later that day, a police officer examining the vehicle handed Tom a metal rod, several inches long. It had flown off a truck into Tom's car--and had its trajectory been just a little different, it would have struck Tom's head after it hit the windshield. Yet it didn't, and Tom didn't die that day. His cancer went into remission, he saw his kids graduate from high school, he helped launch a new radio station while working his day job in music, and he fell in love with me.

I've spent much of this year since June 30 cleaning out Tom's stuff, and I came across a longer, written account of that day that he gave as a talk at Toastmasters shortly before Thanksgiving a year or two after it happened. His message, of course, was that you never know when something might fly through your windshield and kill you, so be happy and grateful--and Tom usually was.

Five years ago this morning, I met Tom at the Oakland airport. He'd flown down from Seattle on Thanksgiving morning to spend the holiday with my brother and his husband and me. The next day, we packed up a small rental truck and set off for Seattle, where I'd decided to move to be closer to Tom. We'd only been together a few months at that point, but when you fall in love with someone who has cancer, you don't want to waste a lot of time.

Tom and I had another four-and-a-half years together. It would be more than two years before his cancer returned in early 2016. We spent Thanksgiving that year in a hospital room, three weeks after his autologous stem cell transplant and four days after Tom's oxygen dropped and his temperature spiked to 106.8 as his body briefly rebelled against his re-infused cells. He'd nearly died again, but with quick action from his medical team, Tom pulled through--and a few days later, we noshed on a not-bad hospital Thanksgiving meal while listening to Arlo Guthrie's Alice's Restaurant and Paul Simon's The Boy in the Bubble. Two days later, we were home.

"... these are the days of miracles and wonders ..."

A few weeks after that Thanksgiving, Tom would watch his son graduate from college via a streaming site on the Internet. He'd live another 19 months, regain his strength to work hard (mostly from home) and travel several more times, launch another radio station, see his daughter turn 21, and marry me on his 62nd birthday.

Eleven days after that, he was gone.

I'm tempted to say I've written off this Thanksgiving--and likely the whole holiday season. But that's not really true. Last weekend, I joined in an early celebration with my daughter and her dad and my brother and his husband. Later today, I'll volunteer on the reception team for Thanksgiving dinner at the Union Gospel Mission homeless shelter. At this point in my life, it's often easier to be with strangers than grieve with kin, though I look forward to spending time with family and friends, too.

After Tom's death, I started experiencing some serious health challenges. I don't find it useful to post about such things online; some people gain strength from sharing, but I find it draining, so I've kept the details mostly to myself and a few friends and family. Suffice it to say, I'm feeling better now than I did a few months ago and I'm doing what I need to do to address the remaining issues--even as I do the work of settling Tom's estate and as much paid editorial work as I can manage. (I'm lucky to manage four hours a day of the latter, but for now, that's enough.)

Next Thanksgiving, I hope I'll be doing something similar to what I did on Thanksgiving in 2000, when I sat enjoying a plate of pasta at a waterfront restaurant in Melbourne, Australia, ahead of Lonely Planet's Authors Week. Maybe I'll be in Mexico; maybe I'll be in Vietnam. I'll have no fixed address, living nowhere and everywhere (though I'll get back to the Northwest for Christmas). I plan to travel for at least a few years with my portable editing and writing career, and I hope to teach English as a foreign language, too. I've started the process to learn TEFL and will ramp up that plan in the new year once I've concluded my estate duties.

Meanwhile, this is a season of living while we wait to resume life. I have low expectations for myself and everyone around me. We all still miss Tom. Good days and bad. Yes, I'm shedding a few tears as I write this. Mostly, I'm giving thanks for what we had.
____

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Monday, September 3, 2018

Here's to the working people

That's most of us, right? I am going to work a bit today, but that's because I took an early holiday weekend Thursday through Saturday. Being my own boss means having the flexibility to time-shift my time off. But since today is Labor Day, I'm also thinking about the other people who are working today, especially in low-wage jobs and contract labor with no benefits.

I shy far away from politics these days, but today I want to salute organized labor. For two years (2010-2012), I worked alongside and on behalf of thousands of educators in Idaho during a time when they were fighting several pitched battles on behalf of their students and themselves. These were amazing people who put in long hours on their jobs as teachers and coaches and counselors, and who knew the power of spending a bit more time to organize and negotiate good working conditions, wages, and benefits for themselves and their colleagues.

Missouri voters recently said no to a "right-to-work-for-less" proposition on their ballot. This was one of the best developments for American working people in many years. Organizing takes time, people, and money. It's only fair that all the workers who benefit from the fruits of labor negotiations help pay for them.

Those of us who work for ourselves--who've created our own jobs--can take advantage of the Affordable Care Act (which was a brilliant job-creation bill) and grant ourselves time off as we need it. For teachers and nurses and police officers and firefighters and skilled craftspeople--not to mention retail and service and healthcare workers who need advocacy more than most--organizing is one way employers and employees can work together to be sure hard work is valued and recognized.

It'll be great if we can one day live in a world where all work--including the work of parenting and caregiving--were justly valued and fairly compensated, and where we all enjoy healthcare, paid time off, guaranteed retirement income, and the other rewards of hard work. Until then, happy day of remembering that unions built the American middle class and the 40-hour workweek. And don't forget to vote.

Friday, March 23, 2018

The waiting is the hardest part

Fifth in a series for #UULent2018.

Today's UU Lent word is patience. Lord, it's a long, long road.

I had the privilege of seeing Tom Petty perform live twice: once back in the 1980s with Bob Dylan and again last summer at Safeco Field. None of us there for his concert last August knew that he had fewer than 10 shows remaining and that he'd be gone six weeks later. It was all about the moment and the power of music. I'm sure it was the same five weeks later for the people who saw his very last show at the Hollywood Bowl.

Petty's death, especially coming hours after the heartbreaking day in Las Vegas, was a wake-up call for many of us. That's a cliche, but it's true. Stop waiting. Start living.

I've been doing a lot of waiting lately. The client that gave me the largest amount of editing work last year won't need any freelance help for a bit (and even that's not guaranteed). Meanwhile, I've been sending out article queries and essays and letters of interest. It usually feels like these are going into a void and, given the amount of email most of us get these days, I rarely expect a reply.

I have exactly one assignment at the moment, and it's not going well. I need to interview a handful of people in their 50s or 60s who've moved to Edmonds, Washington, from beyond the Seattle area, and I've sent several dozen inquiries to people who might know of such folks. So far, I have found none. Fortunately, I still have about a month until my deadline, so I'll start walking the streets of Edmonds soon in hopes of randomly finding my people. It's not a big place, and wandering its charming downtown is a fine way to spend time, so this isn't exactly a problem--and my inquiries elsewhere may yet bear fruit. Still ... it's more waiting. (And if you or someone you know recently relocated to Edmonds from outside the Seattle area, please raise your hand.)

So my writing and editing work is a big ball of waiting right now. But many other things are just fine. Baseball starts soon, and I'll be back for a third season as an usher at the ballpark. I've had more time to meditate, read books, run errands, do spring cleaning, help my partner, and take long walks. I also have more time to do my favorite thing in the world, and that's travel. My sweetheart and I have a train trip planned soon, and I'll be going to the wild edge of Scotland a month after that, volunteering to get garden beds ready for spring and taking inexpensive room and board in trade for my efforts.

I left full-time work again just over two years ago because I value time more than money. It's a hard way to live at times, and patience has never been my strongest virtue. I get better at it all the time, though, and I'll keep practicing--and living like there may be no tomorrow, or thousands of tomorrows.

Thursday, March 8, 2018

More will be revealed

Third in a series for #UULent2018.

Sometimes in life, we choose things without really knowing why, trusting that we'll figure it out as we go along. Such was the case for me when I signed up for another year of UU Wellspring--a program for spiritual deepening--late last summer.

The first time I applied to be in Wellspring, for the 2015-2016 session, I was extremely intentional about it. I'd heard great things about the program from past participants, and I went into it feeling it might be useful as a discernment tool. Wellspring was helpful as I addressed the question of whether to stay in a job I liked but did not love, and it wound up being valuable in many other ways.

Still, when I got an email last spring asking whether I wanted to sign up for a year of further inquiry into spiritual practices, I demurred. I didn't think I'd have time enough to focus on what Wellspring ideally requires (a friend likens it to "graduate school for the soul," albeit without tests and student loans), and I was thinking about taking part as a mentor in my congregation's Coming of Age program. But another call for Wellspring went out late last summer. They needed a few more people to sign up if it was to proceed. I decided to go for it, and I'm glad I did.

Two-thirds into this year's program, Wellspring continues to give me a widening and deepening palette of spiritual tools. My final project for the 2015-2016 year was a collage featuring a "palette of practice," on which I included the many components I use on my eclectic spiritual path. (You can see it at the bottom of this blog's home page.) They include gratitude, nature, partnership, music, community, walking, meditation, attention, hospitality, and discernment.

Those are all still in play for me, but it's interesting to watch how they wax and wane. For example, two months ago, our Wellspring assignment was to begin a gratitude journal--something I've done occasionally over the years, but never faithfully. For whatever reason, I'm able to do it more regularly now, and I'm getting a lot out of it.  If I had to redo my palette now, I think I'd add one practice that doesn't seem to fit in with those I drew two years ago, and I'd call it "possibility"--as in, being open to possibility. In fact, I'd probably rename my work a "palette of practice and possibility."

In addition to our twice-monthly sessions and in-between homework of various kinds, Wellspring participants are asked to meet at least monthly with a spiritual mentor. At each session, my mentor asks whether I want to choose a little angel heart stone from a basket she has nearby. Most have words on the back, but the one I chose last week had no words: just the angel, arms outstretched, with a spark for the heart. It's the stone of unlimited possibilities, my mentor said.

Possibility is something I've written about before and something I sense stirring for me again. As a writer and editor, I must constantly think about where to place my professional energy and whether or not I'll earn money in the exchange. (That's not something the average mechanic or doctor or plumber needs to consider when plying their skills.) At times, this makes me resentful when I choose to write for no pay (as I do here on this blog, for example), or for less than I ought to earn. I also know that as someone who has freelanced most of my adult life and as someone of modest means, I'll need to use these main skills of mine for many years to come, for love or for money, ideally for both.

It's here that the sense of possibility keeps me going--that, and the flexibility I have as a self-employed person. Hearkening ahead to another word coming up on the UU Lent calendar, I find myself more curious than I've been in a while about where my writing may take me, and I feel open to possibilities I have not considered.

Learn more about UU Wellspring here. And if you'd like to support my work, consider buying a copy of Surely Joy (the book!) or even hiring me as a writer or editor for your project. You can learn more and reach me via LinkedIn

Wednesday, February 21, 2018

Humility, humanity, and the art of adulthood

"It's hard to be humble when you're as great as I am." -- Muhammad Ali

I really hate making mistakes, and I recently made a bad one: In a book review, I relayed another author's quote about the work, but I mistakenly wrote that the person I was quoting had died last summer. My goof was the result of seeing an obituary in a too-quick Google check of the person's name. It didn't help that the still-alive author had the same name and birth year as the person who'd died, never mind the fact they both lived in the same city. Oy.

Mistakes will be made. They're never easy. I'm human, and I admit I goofed here.

Speaking of obituaries, John Perry Barlow died a few weeks ago and I enjoyed reading about his life. The one-time lyricist for the Grateful Dead was also the co-founder of the Electronic Frontier Foundation. Among the artifacts that circulated in remembrances of his life was a 25-point typewritten document titled "Principles of Adult Behavior."

A healthy ego is a good thing, especially leavened with a sense of humor. I can be full of myself at times, and also full of it, so it's a useful corrective to be proven wrong once in a while.

Here's Barlow's list ...


P.S. Thanks for reading. This is the first of what I hope will be weekly posts over the next few weeks in observance of #UULent 2018.

Tuesday, December 19, 2017

'How not to make everything worse'

Those were the all-capped words on the opening slide of Karen Yin's keynote talk earlier this fall at the Northwest Independent Editors Guild's Red Pencil Conference. "Thank you to the Guild for asking me to come talk about everything that's wrong with the world," said Yin, founder of the Conscious Style Guide, noting that life today seems like one horrific event after another. "There's no give and we're all getting crushed," she added.

Yin is also the creator of the AP vs. Chicago website, which hashes over how different sources treat things like spaces with em dashes and whether or not to use an apostrophe after a proper noun ending in "s." Yet as Editors Guild president Jill Walters noted in introducing Yin, "Nobody's really going to care if you split an infinitive on Twitter." Larger things than grammar are at stake in our world right now, and Yin offered ideas on how editors can conscientiously foster compassion and healing in a world that seems set on rage autopilot.

Among what she said: Toxins in our communication enter our system and create trauma. Handling language mindfully is part of our job. Yin proposed this four-point set of guidelines: Tell the truth. Don't exaggerate. Be consistent. Use peaceful language.

It is so easy to be pissed off all the time these days. I used to think of anger as righteous. Now I see the ability to keep my rage in check as its own form of resistance, not to mention a robust spiritual practice. It's the best I can do. Call out injustice, then cultivate calm.

It's heartening to see signs that the tide may be turning -- and of course the light is coming back soon, too. As Karen Yin told our editors' gathering, we can choose not to make everything worse.  We can choose compassion and kindness, even as we share truths that must be told.