Friday, October 23, 2020
Pandemic postcard #31: Waiting to exhale
Thursday, August 20, 2020
Pandemic postcard #22: Spirit of the radio
This week's post comes a day early to mark National Radio Day.
Tom Killorin was determined to help launch SPACE 101.1 if it was the last thing he did. And really, it was pretty much the last thing he did.
I started falling in love with Tom over the radio after he'd invited me to listen in as he served as a substitute DJ for KSER in Everett. Between his eclectic, enlightened musical taste and his made-for-radio voice, I was intrigued. Tom had worked as a commercial radio DJ for many years before starting a career in music supervision for businesses and brands, but his heart was in non-commercial, community-based radio, so he always had at least one radio side project. One of our first dates was to go see a new radio tower KSER put up on Whidbey Island in the fall of 2013.After KSER, Tom helped Bellevue College station KBCS fine-tune its programming, especially its afternoon music mix. And after that, Tom and I were spending an idle Saturday in the art gallery at Seattle's Magnuson Park when we spied a flier announcing the formation of a community radio station. The gallery director, Julianna, explained to us how she hoped the Sand Point Arts & Cultural Exchange could land one of the last low-power radio licenses that would be available anywhere. Tom leaped at the chance to help build a station from scratch. Over the next few years, he donated hundreds of hours and recruited other radio veterans to help out with programming and engineering. When SPACE 101.1 launched in October 2017, I think it was among Tom's proudest moments.
Tom believed in the power of radio to bring people together, to help artists of all kinds be heard, and to advance justice. He also believed in radio as the main instrument of music discovery. In the months after SPACE 101.1 went on the air, Tom would drive all over Seattle to see where he could pick up the station's 100-watt signal. Tom had loaded all the songs into the station's original playlist, but he had no control over when they'd play. So he'd be as surprised as anyone to hear what would come next, and this delighted him, nearly as much as he thrilled to a well-crafted set of tunes he'd deal up ("like cards," he always said) from behind a mixing board.That's the thing about radio: You never know what you're going to hear. And while I appreciate the nuances of Spotify's algorithms, there's nothing like the human element of great community radio: to blend music and ideas, empathy and education, heart and soul. "Algorithms don't get the blues," Tom would say, relishing the triple entendre in that phrase. (Is it any wonder I fell for this guy?)
Tom suffered a recurrence of multiple myeloma in early 2018. By June, we knew he'd likely only have a short time to live--yet he was still working on SPACE. I especially remember one morning, sitting with Tom in the intensive care unit at Swedish Hospital, when he wanted to be sure that week's episode of "American Routes" got to the station for airing later that day. Tom downloaded the show onto a thumb drive and had me meet a volunteer outside the hospital to make the transfer. Two weeks later, Tom was gone, but he'd left a legacy. SPACE 101.1 has grown its programming over the past two years to become a pint-sized community radio powerhouse. Tom would be so happy.
Happy Radio Day 2020. In these pandemic times, radio is inherently socially distanced, yet--when powered by people--it fosters real emotional intimacy. Of course, this is why podcasts have become so popular, too. In our separation, we yearn to hear voices.
In honor of Tom--or whoever your favorite DJ may be--please donate to your local community, non-commercial radio station if you can. And remember: As wonderful as it is to have a great radio station float in over the airwaves, community radio is available to everyone, everywhere through the magic of the Internet--and unlike corporate streaming platforms, it's free. My Spotify subscription expired last week, and while I'll eventually renew it, for now I'm just going to let the radio play.
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Friday, August 14, 2020
Pandemic postcard #21: Summer reading report
All my life, I have dreamed of having endless time to read, and I've always figured I'd need to wait until retirement for that dream to come true. Then 2020 happened. I have had plenty of time to get lost in a book these past many months.
Here's a selection of books I've enjoyed so far during the pandemic. All are available via The Optimist, my online independent bookstore at Bookshop.org, and if you enjoy Surely Joy, it'd mean a lot to me if you'd buy a book, any book. Your purchase will help me...and small bricks-and-mortar bookstores, too. As I write this, Bookshop.org says it has raised nearly $6 million for indie bookshops. I'm still working on my first $25. Still, every little bit helps, especially now that the CARES Act unemployment pay is gone.
So without further begging or ado ...
How to Do Nothing: Resisting the Attention Economy by Jenny Odell. This book captivated me from its first pages, where Odell describes one of her favorite parks in Oakland. (I know it, too.) Odell's mission is to help us pay attention, not to the endless clatter of commerce, but to our heart and soul's delight. This is my favorite book of the year so far.
The Art of the Wasted Day by Patricia Hampl is part memoir, part travelogue, part meditation on loss. We can't justify distant travel this summer, but we can travel via books. Hampl ranges widely in this volume, from Iron Curtain-era Eastern Europe to Montaigne's France, but I was most captivated by the trip she took closest to home on the upper stretches of the Mississippi River. Like Odell, Hampl understands the inherent value of day-dreaming and drift.
The Vanishing Half by Brit Bennett. "I've been reading too much non-fiction this summer," I told my daughter. "I really want to read a novel." So this was a birthday gift from her to me, fitting because this is also a story about family love: in our families of origin, families of choice, and families lost and found. It's also timely with its themes of racial and gender identity.
The Hummingbird's Daughter by Luis Alberto Urrea. This had been on my to-read list a long time, and it was the very first book I was able to check out of my local library once it reopened for curbside service last month. Urrea, who spent a few decades researching this satisfying historical novel, has a knack for creating big, well-drawn casts of characters. I look forward to reading the sequel to this, too, as well as The Devil's Highway, Urrea's nonfiction book about U.S.-Mexican border culture. The latter should be a good companion to something else I read earlier this summer, On the Plain of Snakes, a warts-and-all love letter to Mexico by Paul Theroux.
Old in Art School by Nell Irvin Painter. The author is best-known as an acclaimed historian (The History of White People), but she always wanted to paint, so she chased that dream into her 60s while also looking after her elderly parents, who lived 3,000 miles away. An inspiring, illuminating look at one woman disregarding ageism and racism.
The Cactus League by Emily Nemens. One of two fine baseball novels released this year, both written by women. Nemens turns an unassisted triple play with her debut, deftly wrangling multiple plot lines, indelible characters, and strong sense of place. I also enjoyed The Resisters, an anti-authoritarian tale by Gish Jen.
Becoming Wise: An Inquiry Into the Art & Mystery of Living by Krista Tippett. The On Being Project created a new position this summer, Audience Editor. I wanted it so bad, but I'm sure they've hired someone brilliant to help amplify the project's mix of thoughtful voices and practical wisdom for tumultuous times. I've been an On Being fan forever, listened to this on CD when it came out a while back, and recently revisited it via a copy in a Little Free Library.
Keep Going: 10 Ways to Stay Creative in Good Times and Bad by Austin Kleon. I bought this when it came out last year, then it sat on my shelf until May. It was time...and it still is.
When Things Fall Apart: Heart Advice for Difficult Times by Pema Chodron. Another book that merits re-reading, with short chapters that share Buddhist wisdom on how to sit with uncertainty.
Atlas Obscura Explorer's Journal. I used this for what turned out to be Volume One of my Pandemic Journal. (I started Volume Three last week.) It's too big to use as a travel journal, but it was perfect for documenting the weird inner journey that is 2020.
Next up on my reading list ...
I've been dipping in and out of The Warmth of Other Suns: The Epic Story of America's Great Migration for the past month. I'll finish it this weekend, and I look forward to author Isabel Wilkerson's brand-new book, Caste: The Origins of Our Discontents.
Next up is my library book of On Earth We're Briefly Gorgeous by Ocean Vuong, another novel I've been meaning to read for a while.
I also just ordered a copy of Jailed for Freedom: A First-Person Account of the Militant Fight for Women's Rights. This little-known book by Doris Stevens is the source material for Suffragist, a new Broadway musical that was to premiere in league with this summer's centennial of the 19th Amendment. The production is delayed now, but just hearing creator Shaina Taub describe her discovery of this book was enough to make me want to read it.
Friday, July 31, 2020
Pandemic postcard #19: Keep calm and get ready to vote
Friday, December 13, 2019
Hindsight is 20/20
I decided to live debt-free. During the first iteration of my freelance career, I had a big fat line of credit and I used it, amassing debt to write travel guidebooks and magazine articles for publishers who rarely paid expenses. I figured that unreimbursed expenses and interest were all deductible. But paying off the steep interest meant I couldn't save as much as I'd have liked toward my daughter's college fund nor for my then-far-off retirement.
Ten years ago this month, I made my last payment on my business credit card and closed it for good. Since then, I've continued to use credit to earn travel points, but I pay off my balances every month. After owning two homes and settling two estates, I've decided I prefer being a renter. Property is a good investment for many people--but it ties you down; it's not my American dream. I like the freedom and flexibility of letting someone else make and manage that investment.
I followed my heart. This meant leaving Idaho (and family and friends) for the chance to live among people able to elect leaders who could advance the values I hold deeply--of prizing human diversity, of living more sustainably, of practicing generosity on a civic as well as a personal level. Our country's future is murky, but I feel blessed that I live in the city, state, and region that I do. I also feel great affection for the places and people I left behind; I know people have many reasons for staying where they do.
Following my heart also meant leaving a long and good-enough marriage for a new relationship that showed me a new level of what love could be--both the highs of finding a true companion and the lows of illness and death. It was a painful journey in many ways, yet I am grateful to both men for the love and understanding they gave me and thankful that I was able to be part of their lives.
I distanced myself from politics. Anguished by an unnecessary war in Iraq and inspired by examples of civic imagination, I spent most of the first dozen years of this century enmeshed in politics, trying my best to help candidates and causes from Howard Dean to strong public schools to a sustainable climate. It was time well spent, but I ultimately felt I needed to return to the objective stance I'd learned as a young adult--to my roots as a journalist.
It's funny: I was drawn into journalism by one impeachment--a national crisis that saw a president resign before he could be fired. Now, with another impeachment unfolding, I feel intensely lucky that I've found ways to make a living as a writer and editor that don't require me to cover politics. As I outlined in this essay last year, I pay attention to the news, but as a matter of self-preservation, I'm no longer obsessed by it. I'm inspired by people who act with integrity, saddened that facts are considered malleable, and certain we will get the government we deserve in these distracted, disrupted times. But I know that individually, we don't have to be defined by that government.
Hindsight is 20/20, and the three decisions above are ones that I see giving shape to other decisions I'll be making over the next 10 years--as much as any of us can really decide anything anymore in a future that seems to be spiraling out of control.
I don't want to look away; I want to stay on top of what's going on. I want to see the good as well as the bad and the uncertain. I want to keep bearing witness to the idea that our small daily decisions for joy and kindness and responsibility to and love for others and ourselves may somehow add up to ... something.