Wednesday, August 26, 2020

Pandemic postcard #23: The suburbs

This week's post comes from my 2017 book Surely Joy, for which it served as the final, then-unpublished essay. I've never posted it online, but--over the past two weeks, listening to the disparate visions of America presented by the two political conventions--I started thinking about my experience growing up in suburbia, which I captured in this essay. I live in the city again, but my recent time in a Seattle suburb showed me how much things have changed since my childhood.

I'll be taking a break from posting until after Labor Day. Please be well and enjoy the fleeting days of this weird summer. -- Julie

My parents were two city kids who’d hailed from Chicago, a Cubs fan and a White Sox partisan who somehow got together. Like most white folks of their generation, they moved to the suburbs after Dad came back from the big war. Unlike many, they never became afraid to venture back into the city: for ball games, traveling Broadway shows, and even to see Billie Holiday sing in a little club on the South Side.    

Dad’s company transferred my parents to Pittsburgh when I was four, and while I grew up in a suburban subdivision so lily-white it was actually named Plantation Place, I knew people of color. My favorite memories are of Zola, the woman who ran the inner-city preschool where my fair-skinned mother volunteered once a week, where Mom was known as “the brownie lady” for the pan of treats she brought along every Tuesday morning. One time, Mom and Dad invited Zola and her husband to dinner.  We all ate on the side porch of our home, and the four adults laughed there late into the night. The next day, I learned from a neighborhood friend she would not be allowed to play at our house anymore. 

I loved the woods and meadows and creeks of southwestern Pennsylvania, the same landscapes that inspired Rachel Carson. But I was drawn to the city, and as soon as I got old enough to travel on my own, I’d take the trolley to downtown and a bus to Oakland, where the colleges and museums and rock clubs were. I’d wander for hours on foot, up Forbes and Centre, imagining what it would be like to have an apartment in a neighborhood full of people who didn’t necessarily look or think like me. 

It took decades, but I finally had that experience when I lived in Oakland – the California city, not the Pittsburgh district – just before it became nearly as unaffordable as San Francisco. I hit the apartment jackpot in Oakland, with a quiet place near Lake Merritt where I rarely saw or heard my neighbors. Yet my daily life was rich in diversity, from my commute aboard the packed buses and BART trains to the shops and bodegas along Grand Avenue. 

From there, involved in a long-distance romance, I followed my heart to Washington state. I didn’t want to live with my sweetheart, both because I like my own space and because he lives in the suburbs, so I chose a gritty section of north Seattle where recently arrived refugees live amid university students who can’t afford anything near campus. Sirens wailed and homeless people howled into the night beneath my first apartment. After two years, I found a quieter place to live a few blocks away.

But as soon as I moved to Seattle, I began spending many nights at my sweetheart’s home. Without a car, this involved a short bus ride, then a mile walk … alongside a creek, up winding roads, with blackberries ripe for picking in late summer and tall trees everywhere. Although it was mere miles from my address in the city, it felt like a world apart. 

Circumstances evolved and I ultimately moved in with Tom. By then, I’d noticed something else about his town: Although white people are the majority, this is a place of many languages, colors, and faiths. Families of all kinds are here, some fleeing oppression abroad, others rejecting Seattle’s rocketing rents. Our town is home to shopkeepers and hair stylists and ride-hail drivers from all over the world, living among folks – not all of them Caucasian – who’ve been here for generations.

All across America, the lines between the big city and the suburbs are blurring. Mosques and churches and synagogues and Zen centers are on the same stretch of road. Kids who are learning English sit in every classroom. My neighborhood has a block party every year, and everyone comes: lots of new young couples, many of them mixed-race, their impossibly beautiful little kids chalking up the street. The tattooed-and-pierced community college prof running for city council. The middle-age-guys’ garage band. The sailing ship captain who serves as the MC. His wife, a traveling volunteer nurse, who wrangles the kids’ activities. 

The Asian-American woman leading a drive to save a local patch of undeveloped forest. The Latino guy from a few blocks over who recently moved to town and just happened by. The white lawyer-singer-songwriter and her black bass-playing husband, who’ve had Tom and me over for dinner. 

This sort of scene makes some people anxious, eager to return to a mythical, monocultural America that never really existed. But many, probably most of us, like it this way. Across our differences, we want to strive for that more perfect union because we know life is better when everyone feels welcome and everyone belongs. I miss the thrum of the city sometimes, but if I can live in a suburb – a village, really – where neighbors can eat and laugh and sing together well into the night and look out for each other by day, that is a place where I want to be.

Thursday, August 20, 2020

Pandemic postcard #22: Spirit of the radio

This week's post comes a day early to mark National Radio Day. 

Tom Killorin was determined to help launch SPACE 101.1 if it was the last thing he did. And really, it was pretty much the last thing he did. 

Radio sweethearts, fall 2013
I started falling in love with Tom over the radio after he'd invited me to listen in as he served as a substitute DJ for KSER in Everett. Between his eclectic, enlightened musical taste and his made-for-radio voice, I was intrigued. Tom had worked as a commercial radio DJ for many years before starting a career in music supervision for businesses and brands, but his heart was in non-commercial, community-based radio, so he always had at least one radio side project. One of our first dates was to go see a new radio tower KSER put up on Whidbey Island in the fall of 2013. 

After KSER, Tom helped Bellevue College station KBCS fine-tune its programming, especially its afternoon music mix. And after that, Tom and I were spending an idle Saturday in the art gallery at Seattle's Magnuson Park when we spied a flier announcing the formation of a community radio station. The gallery director, Julianna, explained to us how she hoped the Sand Point Arts & Cultural Exchange could land one of the last low-power radio licenses that would be available anywhere. Tom leaped at the chance to help build a station from scratch. Over the next few years, he donated hundreds of hours and recruited other radio veterans to help out with programming and engineering. When SPACE 101.1 launched in October 2017, I think it was among Tom's proudest moments. 

Tom Killorin 1956-2018
Tom believed in the power of radio to bring people together, to help artists of all kinds be heard, and to advance justice. He also believed in radio as the main instrument of music discovery. In the months after SPACE 101.1 went on the air, Tom would drive all over Seattle to see where he could pick up the station's 100-watt signal. Tom had loaded all the songs into the station's original playlist, but he had no control over when they'd play. So he'd be as surprised as anyone to hear what would come next, and this delighted him, nearly as much as he thrilled to a well-crafted set of tunes he'd deal up ("like cards," he always said) from behind a mixing board. 

That's the thing about radio: You never know what you're going to hear. And while I appreciate the nuances of Spotify's algorithms, there's nothing like the human element of great community radio: to blend music and ideas, empathy and education, heart and soul. "Algorithms don't get the blues," Tom would say, relishing the triple entendre in that phrase. (Is it any wonder I fell for this guy?) 

Tom suffered a recurrence of multiple myeloma in early 2018. By June, we knew he'd likely only have a short time to live--yet he was still working on SPACE. I especially remember one morning, sitting with Tom in the intensive care unit at Swedish Hospital, when he wanted to be sure that week's episode of "American Routes" got to the station for airing later that day. Tom downloaded the show onto a thumb drive and had me meet a volunteer outside the hospital to make the transfer. Two weeks later, Tom was gone, but he'd left a legacy. SPACE 101.1 has grown its programming over the past two years to become a pint-sized community radio powerhouse. Tom would be so happy.

Happy Radio Day 2020. In these pandemic times, radio is inherently socially distanced, yet--when powered by people--it fosters real emotional intimacy. Of course, this is why podcasts have become so popular, too. In our separation, we yearn to hear voices.

In honor of Tom--or whoever your favorite DJ may be--please donate to your local community, non-commercial radio station if you can. And remember: As wonderful as it is to have a great radio station float in over the airwaves, community radio is available to everyone, everywhere through the magic of the Internet--and unlike corporate streaming platforms, it's free. My Spotify subscription expired last week, and while I'll eventually renew it, for now I'm just going to let the radio play. 

___

If you enjoy Surely Joy, please consider supporting my work via Patreon. Pledges start at just $3 a month. Thanks for reading!  


Friday, August 14, 2020

Pandemic postcard #21: Summer reading report

All my life, I have dreamed of having endless time to read, and I've always figured I'd need to wait until retirement for that dream to come true. Then 2020 happened. I have had plenty of time to get lost in a book these past many months. 

Here's a selection of books I've enjoyed so far during the pandemic. All are available via The Optimist, my online independent bookstore at Bookshop.org, and if you enjoy Surely Joy, it'd mean a lot to me if you'd buy a book, any book. Your purchase will help me...and small bricks-and-mortar bookstores, too. As I write this, Bookshop.org says it has raised nearly $6 million for indie bookshops. I'm still working on my first $25. Still, every little bit helps, especially now that the CARES Act unemployment pay is gone.

So without further begging or ado ... 

How to Do Nothing: Resisting the Attention Economy by Jenny Odell. This book captivated me from its first pages, where Odell describes one of her favorite parks in Oakland. (I know it, too.) Odell's mission is to help us pay attention, not to the endless clatter of commerce, but to our heart and soul's delight. This is my favorite book of the year so far. 

The Art of the Wasted Day by Patricia Hampl is part memoir, part travelogue, part meditation on loss. We can't justify distant travel this summer, but we can travel via books. Hampl ranges widely in this volume, from Iron Curtain-era Eastern Europe to Montaigne's France, but I was most captivated by the trip she took closest to home on the upper stretches of the Mississippi River. Like Odell, Hampl understands the inherent value of day-dreaming and drift.

The Vanishing Half  by Brit Bennett. "I've been reading too much non-fiction this summer," I told my daughter. "I really want to read a novel." So this was a birthday gift from her to me, fitting because this is also a story about family love: in our families of origin, families of choice, and families lost and found. It's also timely with its themes of racial and gender identity.

The Hummingbird's Daughter by Luis Alberto Urrea. This had been on my to-read list a long time, and it was the very first book I was able to check out of my local library once it reopened for curbside service last month. Urrea, who spent a few decades researching this satisfying historical novel, has a knack for creating big, well-drawn casts of characters. I look forward to reading the sequel to this, too, as well as The Devil's Highway, Urrea's nonfiction book about U.S.-Mexican border culture. The latter should be a good companion to something else I read earlier this summer, On the Plain of Snakes, a warts-and-all love letter to Mexico by Paul Theroux.

Old in Art School by Nell Irvin Painter. The author is best-known as an acclaimed historian (The History of White People), but she always wanted to paint, so she chased that dream into her 60s while also looking after her elderly parents, who lived 3,000 miles away. An inspiring, illuminating look at one woman disregarding ageism and racism.

The Cactus League by Emily Nemens. One of two fine baseball novels released this year, both written by women. Nemens turns an unassisted triple play with her debut, deftly wrangling multiple plot lines, indelible characters, and strong sense of place. I also enjoyed The Resisters, an anti-authoritarian tale by Gish Jen.

Becoming Wise: An Inquiry Into the Art & Mystery of Living by Krista Tippett. The On Being Project created a new position this summer, Audience Editor. I wanted it so bad, but I'm sure they've hired someone brilliant to help amplify the project's mix of thoughtful voices and practical wisdom for tumultuous times. I've been an On Being fan forever, listened to this on CD when it came out a while back, and recently revisited it via a copy in a Little Free Library.

Keep Going: 10 Ways to Stay Creative in Good Times and Bad by Austin Kleon. I bought this when it came out last year, then it sat on my shelf until May. It was time...and it still is.

When Things Fall Apart: Heart Advice for Difficult Times by Pema Chodron. Another book that merits re-reading, with short chapters that share Buddhist wisdom on how to sit with uncertainty. 

Atlas Obscura Explorer's Journal. I used this for what turned out to be Volume One of my Pandemic Journal. (I started Volume Three last week.) It's too big to use as a travel journal, but it was perfect for documenting the weird inner journey that is 2020.

Next up on my reading list ...

I've been dipping in and out of The Warmth of Other Suns: The Epic Story of America's Great Migration for the past month. I'll finish it this weekend, and I look forward to author Isabel Wilkerson's brand-new book, Caste: The Origins of Our Discontents.

Next up is my library book of On Earth We're Briefly Gorgeous by Ocean Vuong, another novel I've been meaning to read for a while.

I also just ordered a copy of Jailed for Freedom: A First-Person Account of the Militant Fight for Women's Rights. This little-known book by Doris Stevens is the source material for Suffragist, a new Broadway musical that was to premiere in league with this summer's centennial of the 19th Amendment. The production is delayed now, but just hearing creator Shaina Taub describe her discovery of this book was enough to make me want to read it.

Friday, August 7, 2020

Pandemic postcard #20: Terrible beauty

"The weirdest part was that the sky was so blue at that point. I never saw the mushroom cloud that you see in the video. I saw the lingering smoke from it ... but it was almost golden hour, so the light was just beautiful." -- New York Times reporter Vivian Yee describing the Beirut explosion aftermath 

Decades of strife 
Inept government 
Waves of refugees
An economy in ruins 
A spike in COVID-19
and then this ...

Explosions rock the port
An ancient city convulses

Strangers tend to strangers' wounds
dressing bloody gashes with splashes of liquor
Grim humor rises anew to greet another catastrophe

"In a land conditioned by calamity, people knew what to do ..." (headline from Vivian Yee's first-person account of the chaos in Beirut after the blasts) 

I am at a loss for more words to say about Lebanon, so I will just marvel yet again at the ways how, when the unimaginable happens, people rise to meet it--and also how people somehow notice beauty even amid the most horrific experiences. 

Read and/or listen to Yee's story.

In this year of layered crises and rolling waves of grief,
on the 75th anniversary of the bombings of Hiroshima and Nagasaki, 
let us do what we can to help alleviate suffering and prevent it, too. 
Help us know that borders are illusions
and that nationalism is absurd.